cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
pramesti
Contact Email
fadesti@gmail.com
Phone
-
Journal Mail Official
fadesti@gmail.com
Editorial Address
-
Location
Kota surakarta,
Jawa tengah
INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 7 Documents
 1 
Search results for , issue "Vol 1, No 2 (2009)" : 7 Documents clear
Fenomena Alam Sebagai Sumber Inspirasi Penciptaan Karya Seni Lukis Sukirno -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2298.93 KB) | DOI: 10.33153/bri.v1i2.255

Abstract

This paper is a report from the study of the creation of works of art with a source of ideas of natural phenomena. In the context of the creation of art, nature with all its elements are sometimes seen as a theme, sometimes seen as a motive, sometimes also as an object of study, or a source of inspiration of artists (Soedarso SP,: 2006:30). This paper is at once answered the purpose of creation studies conducted by the author, which explains: how the phenomenon of destruction of nature as a source of ideas placed the creation of works of art? And how the process of making paintings with natural phenomena as a source of ideas?Keywords: natural phenomenon, the source of the idea of creation, painting.
Kajian Batik Motif Kawung Dan Parang Dengan Pendekatan Estetika Seni Nusantara Anton Rosanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1622.906 KB) | DOI: 10.33153/bri.v1i2.261

Abstract

Art is not only related to aesthetics, but also associated with non-symbolic or symbolic meanings, the symbolic meaning of the classical era is often used to signify rank or degree, for example in Batik, Batik patterned particularly Kawung. When viewed from the evidence of its history it can be seen the development of batik was there when the temples are made, even though no physical evidence of the existence of a piece of batik cloth but can be seen from the depiction of figures in the form of statues are in the use of batik cloth. In the group of geometric decoration, the familiar motif Batik old (ancient) Kawung criteria that goes into the motives Ceplok2, and more specifically into the Outback or Kraton Batik motifs (Based on Hinduism traditions), and the motive is one of the members of prohibition in the 7 (seven) other restrictions such as motive Parang, Parang Rusak, Cemukiran, Sawat, Udan lyrical, Cement, and Alas-alasan. Above fact is the reason for the authors to examine batik Kawung and parang with nusantara aesthetic approach. Batik kawung because one of the old motifs and motifs machete is one of the motives ban. Keywords: batik, kawung motive, parang motive, nusantara aesthetics.
Pergeseran Peran OHD Dalam Dunia Seni Rupa Indonesia (Kajian Sosio Budaya) Teguh Djaka S
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2149.526 KB) | DOI: 10.33153/bri.v1i2.263

Abstract

For perpetrators of art in Indonesia, the name of Oei Hong Jien (OHD) is not a foreign name. Born of a family who loves painting, OHD become the world's top collector of Indonesian art. He is now not only become another collector's reference (and abroad) who want to buy works of painter Indonesia, but also a member of the Board of Directors and the Singapore Art Museum Singapore Art Retreat. Especially after OHD build an art museum containing paintings collection, adding to the prestige OHD as a collector and curator of the higher. From several sources obtained by the author, now at least OHD has collected 1500 painting, from a variety of visual styles and generations. From the works of old masters such as Affandi, Sudjoyono, Hendra Gunawan, Entang Wiharso, Adi Yuswantoro novice painter to emerge to the surface. Given all these facts, make a referral OHD museum and research data sources Indonesian art development for researchers from Indonesia and Overseas. This phenomenon is written in this article, which is related to (1) Background OHD so loved the painting until he wants to collect more than 1000 paintings. (2) There is a shift in the role of OHD in the Indonesian art world, from the limited apresian / consumers (collectors) to be a gallery curator and advisor and board member and Director of the Singapore Art Museum Singapore Art Retreat with authority or power to determine the value of a work or artist. (3) The background of thought or interest of OHD and when he prefers not to establish a museum gallery/ showroom collection. Key words: OHD, collectors, curators
Makna Rumah Bagi Masyarakat Jawa Indarto -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2613.089 KB) | DOI: 10.33153/bri.v1i2.247

Abstract

Communities on the island of Java considers the house like a man worthy to be appreciated and respected. Respect means honoring the house occupants inside the man. Houses must be respected because it is sacred. This statement was seen when the ceremonies at the time of making the residence. Before the house started its construction, the thing to do is to give offerings as gratitude to God. Typically these offerings in the form of crops if the various types of food and pray together like a newborn baby. This traditional ceremony is performed from the ancestors of the Javanese community. Construction of the house is sacred and holy. Implementation of deve-lopment chosen by the good days are tailored to the occupants and a good day for the people in Java. Because the house as a sacred container, then the Javanese people always treat her well and always clean so that their lives are always peaceful and prosperous future free from the calamity that has adversely affected the family. Keywords: Houses, Sacred and Holy, Offerings, Peace and Prosperity
Kajian Bentuk, Fungsi Dan Makna Patung Loro Blonyo Dengan Pendekatan Estetika Seni Nusantara Raden Ersnathan Budi Prasetyo
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1537.259 KB) | DOI: 10.33153/bri.v1i2.269

Abstract

According to historical records, the statue of Loro Blonyo has existed since the time of the leadership of Sultan Agung of Mataram Kingdom in 1476. Manifestation of Hinduism was later modified to be more universal, to the statue of the Dewi Sri to bridal pair. At first, Loro Blonyo ownership is closely related to art and culture. Only the gentry who have it. In joglo house, the statue Loro Blonyo is placed at sentong or middle part of the house. The part that is considered as a private area husband and wife. In addition, Loro Blonyo also to be Krobongan complementary. This relates to several miitos that accompanies the presence of the Statue of Loro Blonyo. Loro Blonyo Statue of traditional forms of symbolic display smoothly because it is associated with ritual functions. Once pulled, the statue of Loro Blonyo is still favored by the people, although it functions and how to interpret this statue has been changed. Symbolic display of this statue are parsed in this paper. With the nusantara aesthetic approach of this paper is expected able to dissect the meanings embodied in symbolic statue Loro Blonyo Keywords: Loro Blonyo, symbolic meaning, nusantara aesthetics.
Multimedia Pembelajaran Mixed Media dan Kolaborasi Anung Rachman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2055.18 KB) | DOI: 10.33153/bri.v1i2.251

Abstract

The role of education world always must be dynamic and listens carefully in facing and anticipates all changes in happened. Some problems experienced by teacher in process of pure art study at university with material scope Mixed Media and collaboration is the subject difficult to be comprehended without in backing with media because teacher in giving lesson still conventionally, and instructor which has not so mastering is information technology, and curriculum now is delivered university autonomy causing teacher is claimed to makes method and strategy in teaching Study model applied in research to distinguish computer by using Adobe Flash is being based on Multimedia with approach of the constructivism theory in overcoming study problems of pure art.This paper describes the process of making multimedia learning, concept, design, until programming. In the end section also described the results of produce including an analysis of the multimedia learning Keyword : mixed media and collaboration, Multimedia, learning
Seni Lukis Kaca Cirebon Refleksi Akulturasi Budaya Henri Cholis
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 1, No 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4380.378 KB) | DOI: 10.33153/bri.v1i2.273

Abstract

This research was an attempt to find out the existence of the painting style in Cirebon. The decision to choose the topic was based on the aims at having a good knowledge of glass painting for improving the subject of glass painting. Cirebon was chosen as the location for the research because glass painting had been the inseparable  part of the cultural history of the city. In the course of time, the glass painting of Cirebon had come up with its unique style or characteristics which deve-loped until the present day. The problem studied in this research was the existence of the painting and glass painting style of Cirebon. The style of  this research is description of a qualitative nature, and the study takes the form of a field study using an aesthetic approach.The results of the research show that the glass painting developing in Cirebon is the result of the cultural acculturation of Arab, China, Java and that the unique style elements  of fine arts come into existence. The painting objects such as padasan ( a kind of water jar with a spout for ritual cleansing), rain cloud, three fish with one head, macan ali, figures of wayang, calligraphic wayang, sunya ragi, Singo Barong are the themes as the reference for the artists of glass painting in Cirebon. However, the younger artists of glass painting develop painting style outside the traditional themes. The glass painting of Cirebon can survive because of the support of the government, the court, the artists, curators, gallery, and market. Key words: style, glass painting, Cirebon.

Page 1 of 1 | Total Record : 7

 1 

Filter by Year

2016 2016


Reset
Filter By Issues
All Issue Vol 15, No 1 (2023) Vol 14, No 1 (2022): Brikolase Juli 2022 Vol 14, No 2 (2022) Vol 13, No 2 (2021): Brikolase Desember Vol 13, No 1 (2021) Vol 12, No 2 (2020) Vol 12, No 1 (2020) Vol 11, No 2 (2019) Vol 11, No 1 (2019) Vol 10, No 2 (2018) Vol 10, No 1 (2018) Vol 9, No 2 (2017) Vol 9, No 1 (2017) Vol 8, No 2 (2016) Vol 8, No 1 (2016) Vol 7, No 2 (2015) Vol 7, No 1 (2015) Vol 6, No 1 (2014) Vol 5, No 2 (2013) Vol 5, No 1 (2013) Vol 4, No 2 (2012) Vol 4, No 1 (2012) Vol 3, No 2 (2011) Vol 2, No 2 (2010) Vol 2, No 1 (2010) Vol 1, No 2 (2009) Vol 1, No 1 (2009) More Issue